Poseidon Essay Example for Free

Poseidon Essay God of the sea, protector of all waters. Poseidon is the brother of Zeus. After the overthrow of their Father Cronus he drew lots with Zeus and Hades, another brother, for shares of the world. His prize was to become lord of the sea. He was widely worshiped by seamen. He married Amphitrite, a granddaughter of the Titan Oceanus.At one point he desired Demeter. To put him off Demeter asked him to make the most beautiful animal that the world had ever seen. So to impress her Poseidon created the first horse. In some accounts his first attempts were unsuccessful and created a variety of other animals in his quest. By the time the horse was created his passion for Demeter had cooled. His weapon is a trident, which can shake the earth, and shatter any object. He is second only to Zeus in power amongst the gods. He has a difficult quarrelsome personality. He was greedy. He had a series of disputes with other gods when he tried to take over their cities. Poseidon was the second son of Cronus and Rhea. In most accounts he is swallowed by Cronus at birth but later saved, with his other brothers and sisters, by Zeus. However in some versions of the story, he, like his brother Zeus, did not share the fate of his other brother and sisters who were eaten by Cronus. He was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have given birth to a colt, which she gave to Cronus to devour.[3] According to John Tzetzes[23] the kourotrophos, or nurse of Poseidon was Arne, who denied knowing where he was, when Cronus came searching; according to Diodorus Siculus[24] Poseidon was raised by the Telchines on Rhodes, just as Zeus was raised by the Korybantes on Crete. According to a single reference in the Iliad, when the world was divided by lot in three, Zeus received the sky, Hades the underworld and Poseidon the sea. In the Odyssey (v.398), Poseidon has a home in Aegae. The foundation of Athens Athena became the patron goddess of the city of Athens after a competition  with Poseidon. Yet Poseidon remained a numinous presence on the Acropolis in the form of his surrogate, Erechtheus.[2] At the dissolution festival at the end of the year in the Athenian calendar, the Skira, the priests of Athena and the priest of Poseidon would process under canopies to Eleusis.[25] They agreed that each would give the Athenians one gift and the Athenians would choose whichever gift they preferred. Poseidon struck the ground with his trident and a spring sprang up; the water was salty and not very useful,[26] whereas Athena offered them an olive tree. Temple of Poseidon at Cape Sounion, ca 440 BC The Athenians or their king, Cecrops, accepted the olive tree and along with it Athena as their patron, for the olive tree brought wood, oil and food. After the fight, infuriated at his loss, Poseidon sent a monstrous flood to the Attic Plain, to punish the Athenians for not choosing him. The depression made by Poseidons trident and filled with salt water was surrounded by the northern hall of the Erechtheum, remaining open to the air. In cult, Poseidon was identified with Erechtheus, Walter Burkert noted; the myth turns this into a temporal-causal sequence: in his anger at losing, Poseidon led his son Eumolpus against Athens and killed Erectheus.[27] The contest of Athena and Poseidon was the subject of the reliefs on the western pediment of the Parthenon, the first sight that greeted the arriving visitor. This myth is construed by Robert Graves and others as reflecting a clash between the inhabitants during Mycenaean times and newer immigrants. It is interesting to note that Athens at its height was a significant sea power, at one point defeating the Persian fleet at Salamis Island in a sea battle. The walls of Troy Poseidon and Apollo, having offended Zeus by their rebellion in Heras scheme, were temporarily stripped of their divine authority and sent to serve King Laomedon of Troy. He had them build huge walls around the city and promised to reward them well, a promise he then refused to fulfill. In  vengeance, before the Trojan War, Poseidon sent a sea monster to attack Troy. The monster was later killed by Heracles. Consorts and children Poseidon on an Attic kalyx krater (detail), first half of the 5th century BC. Poseidon was said to have had many lovers of both sexes (see expandable list below). His consort was Amphitrite, a nymph and ancient sea-goddess, daughter of Nereus and Doris. Poseidon was the father of many heroes. He is thought to have fathered the famed Theseus. A mortal woman named Tyro was married to Cretheus (with whom she had one son, Aeson) but loved Enipeus, a river god. She pursued Enipeus, who refused her advances. One day, Poseidon, filled with lust for Tyro, disguised himself as Enipeus, and from their union were born the heroes Pelias and Neleus, twin boys. Poseidon also had an affair with Alope, his granddaughter through Cercyon, his son and King of Eleusis, begetting the Attic hero Hippothoon. Cercyon had his daughter buried alive but Poseidon turned her into the spring, Alope, near Eleusis. Poseidon rescued Amymone from a lecherous satyr and then fathered a child, Nauplius, by her. After having raped Caeneus, Poseidon fulfilled her request and changed her into a male warrior. A mortal woman named Cleito once lived on an isolated island; Poseidon fell in love with the human mortal and created a dwelling sanctuary at the top of a hill near the middle of the island and surrounded the dwelling with rings of water and land to protect her. She gave birth to five sets of twin boys(the firstborn who being named Atlas) became the first rulers of Atlantis.[28][5][6][7] Not all of Poseidons children were human. In an archaic myth, Poseidon once pursued Demeter. She spurned his advances, turning herself into a mare so that she could hide in a herd of horses; he saw through the deception and became a stallion and captured her. Their child was a horse, Arion, which was capable of human speech. Poseidon also had sexual intercourse with Medusa on the floor of a temple to Athena.[29] Medusa was then changed into a monster by Athena. When she was later beheaded by the hero Perseus, Chrysaor and Pegasus emerged from her neck. There is also Triton (the merman), Polyphemus (the cyclops) and, finally, Alebion and Bergion and Otos and Ephialtae (the giants).[29]

The Character of Teiresias in Oedipus The King :: Oedipus Rex, Sophocles

Throughout history there have been some astonishing Greek plays. Some plays were more comedic in nature, so were romance plays and then there were some that were tragic plays. One of the greatest Greek tragedy plays ever written was Oedipus the King. Brilliantly conceived and written, Oedipus the King dramatizes the self-discovery and tragic downfall of Oedipus, the King of Thebes. It tells the story about a young Greek who was fated to murder his father, marry his mother, and in the process become the King of Thebes, before ultimately meeting his downfall due to his own deeds. That makes this play so fascinating is that there are numerous underlying themes within the story, and I will attempt to shed light on one of these themes, that being the dramatic irony of blindness. I shall do this by focusing on the words and actions of a minor character in the play, Tiresias. A minor character is a character that is developed in such a way to help reveal themes and depict certain literary devices. Literary devices are used in mostly all literary works, as they can help reveal pertinent information and also move the story along. In the play Oedipus Rex by Sophocles, the minor character of Teiresias is responsible for foreshadowing Oedipus’ fate, developing the theme of blindness, and also illustrating dramatic irony. Teiresias uses his fortune teller abilities to foreshadow the anguish and destruction that Oedipus will encounter after he learns the truths of his life. Teiresias is also responsible for further developing the theme of blindness by using his own physical blindness to reveal to Oedipus his mental blindness. Lastly, Teiresias is ultimately responsible for imposing dramatic irony because of his great knowledge of the truth of Oedipus. In Sophocles’ Oedipus Rex, the character of Teiresias is developed in such a way that he utilizes many dramatic devices in order to reveal information and move the play along.As a fortune teller, Teiresias is able to see the fate and destruction of Oedipus’ life. Teiresias uses his great ability to reveal to the reader the downfalls in Oedipus’ life that will soon occur because of his quest to know his fate. The character of Teiresias demonstrates the use of foreshadowing in order for the reader to be aware of Oedipus’ fate.You can not see the wretchedness of your life, Nor in whose house you live, no, nor with whom.

Distinctively Visual †Henry Lawson Essay

Henry Lawson’s Short Stories Q1 Describe one significant image from one of Henry Lawson’s Short stories. One significant image from ‘The Loaded Dog’ is the creation of the ‘formidable bomb’ that Andy constructs ‘to blow the fish up’. Lawson gives us a detailed description of the making of the cartridge. He uses adjectives, adverbs and exaggeration, to emphasis the danger it represents –‘three times the size of those they use in the rock’ and ‘big enough to blow the bottom out of the river’. His long-winded description of the construction process also builds suspense- ‘The inner skin was of stout calico. Andy stuck the end of a six foot fuse†¦ bound the bag firmly†¦ dipped the cartridge in melted bees wax†¦ bound a strip of sail canvas†¦ bound the thing with from end to end with stout fishing line’. This builds up suspense and by the end we are certain of the danger that this bomb represents. The descri ptive nature of this passage also builds on characterisation. Dave ‘got an idea’, ‘Andy usually put Dave’s theories into practice’ and Jim sat on the sidelines critiquing both of the above. The idea of mate ship between the key characters is also developed ‘a formidable bomb – but Andy and Dave wanted to be sure’. The detailed description of the materials used and the process of making the bomb, adds credibility and gives the reader a sense of the skills of the miners and an insight into their craft. By the time Lawson is finished we can ‘see’ this cartridge and understand its potential for harm. When Tommy takes the lit cartridge in his mouth we have a heightened understanding of the gravity of the situation and find ourselves on the edge of our seats. Q2 Examine how the relationship between context and text shapes meaning in one of Henry Lawson’s short stories. Text Summary: ‘The Drovers Wife’ is a short story by Henry Lawson about a woman who is left alone in the harsh Australian bush to look after the house and children while her husband is away sheep droving. The main complication the snake in the huts floor slab which threatens her families safety. The Context: * The Times: in the late 1800’s most Australians lived in the cities but the harsh reality of the Australian bush had captured their imagination  perhaps due to its’ contrast with British landscapes and life. * Literary History; Lawson was the first Australian born writers to document an unromantic view of the Australian bush and its uniquely Australian culture. As such, his writing represented a challenge to those like banjo Patterson who presented a romantic (unrealistic) view of the bush. * Audience; The drovers wife was published in 1892 in ‘The Bulletin’ which was known as the ‘Bushman’s Bible’ and Lawson’s presentation of the harsh realities of life in the Australian bush appealed to the white male dominated readership. * Lawson’s Life; Lawson was brought up on a poor selection himself and understood the realities of his subjects lives. He lived with his mother after her separation with her father and this perhaps g ives him special insight when writing the Drovers Wife. * Cultural Themes: which dominate 19th century bush life and evident in Lawson’s, ‘The Drovers Wife’ include; hardship/resilience, loneliness and isolation, loss and acceptance. How the Text interacts with Context to Add Meaning Text Style; ‘The Drovers Wife’ is written in the style of a ‘sketch- story’. The writer provides a picture in words by focusing on charecterisation and setting rather than plot. In Lawson’s words, ‘†I thought the short story was a lazy man’s game, second to ‘free’ verse, compared with the sketch. The sketch, to be really good, must be good in every line. But the sketch-story is best of all.† The sketch-story style is serious and uses powerful observations of the life of the drover’s wife for its own sake. Both the original and current reader observe with sadness and respect as Lawson’s ‘painting’ of her tragic and courageous life develops. Q3 Critically analyse the relationship between language forms and features, and meaning, in TWO of Henry Lawson’s short Stories. The Drovers Wife:-   1 Title; Lawson leaves ‘The Drover’s Wife’ unnamed and in doing so helps her stand for all women in her position. 2 Setting; the use of accumulation (continuous information) in portraying the ‘shanty’/lean-to house and describing ‘the bush all around’ with the repetition of ‘no’ e.g.; â€Å"no horizon†, â€Å"no ranges† and â€Å"no undergrowth† in describing the landscape, establishes the harsh backdrop to the family’s existence. The personification of the ‘sighing’ ‘she oaks’ tells us that even the bush  struggles to survive. The setting is painted in more detail in the context of the Sunday walk, ‘you might walk for twenty miles†¦. Without being able to fix a point in your mind, unless you are a bushm an. This is because of ‘the everlasting, maddening sameness of the stunted trees – that monotony which makes a man long to break away’. The landscape Lawson paints is far from attractive. In fact, if we find ourselves in it we will want to ‘sail as far as ships can sail and further.’ This is in stark contrast to how stories by authors such as Bango Patterson using a romanticised style portrayed the bush. 3 Background ; Lawson matter-of-fact statement that â€Å"the drover, an ex-squatter, is away with sheep. His wife and children are left here alone.’ emphasises the unavoidable isolation of the wife and children. We are told later the drought of 1818 â€Å"ruined him’, ‘he had to sacrifice the remnant of his flock and go droving again’. The drover is depicted as ‘a good enough husband’ –who treated her like a ‘princess’ before he fell on hard times. This communicates to the reader the unav oidable loss that the bush has inflicted on the drover and his family. 4 The Plot; The limited plot of this sketch / story revolves around ‘the snake!’ which is introduced with the use of exclamation ‘ look mother, here’s a snake!’ Action verbs in short sentences of dialogue; ‘snatches her baby’ and ‘yells at the boy’ all give us a sense of urgency. The snake ‘disappears’ under the timber slab floor, ‘near sunset and a thunderstorm is coming’. The ‘house’ is off limits as ‘the snake †¦.may at any moment come up through cracks in the rough slab floor’. The children are to be protected and are introduced matter of factly, ‘there are two boys and two girls’ are fed and put to be on the kitchen table which ‘sits down beside to watch all night’. The battle lines are drawn and her weapons are a ‘green sapling cub’ and ‘she has brought the dog into the room’. The plot slows to a stop with only snippets of information between long ‘sketches’ of background and characterisation (the main event). ‘Near midnight’ ‘whenever she hears a noise she reaches for the stick’,. ‘Near one or two o’clock Alligator lies†¦and watches the wall.’ ‘It must be near daylight.â€℠¢ ‘Alligator still watches the wall’ nothing has happened plot wise between sunset and daybreak but now he becomes ‘greatly interested’ and urgency returns. Short sentences with repeated action verbs ‘snaps’, ‘pulls’ and the repetition of ‘thud’ help us to see and hear the battle. The resolution of the plot is portrayed as a win of good over evil  by the use of the Biblical reference ‘he shakes the snake as though he felt the original curse in common with mankind.’ The plot concludes as the Drovers Wife ‘watches the snake burn’. However the final few sentences are reserved to conclude the main game of this story, the characterisation of the drovers wife. 5 Characterisation; If the plot is the framework of the drovers wife, characterisation is the house that is built around it. (i) Omniscient Third Party Narrator; We feel for the characters in their struggle with themselves when Lawson as the omniscient narrator shifts us back in time to key moments in there past, ‘As a girl she built the usual castles in the air; but all her girlish hopes an aspirations have long been dead.’ Yet she doesn’t completely abandon her femininity as symbolised by the ‘Young ladies Journal’. Later Lawson emphasises her struggle to remain civilised with a powerful background image, of her Sunday walk where, ‘She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city, There is nothing to see however, not a soul to meet’. Lawson ends this section with an authorial insight into the ‘bushwoman’s’ contentedness despite this loss and struggle. She is ‘used to the loneliness of it’, ‘would feel strange away from it’, ‘She is glad when her husband returns†¦.but does not make a fuss’, ‘she seems contented with her lot.’ (ii) Flashbacks; Lawson builds our admiration for the drovers’ wife through the flashbacks’; bushfire, flood, pleuro-pneumonia and mad bullock. He uses them to show how the harshness of the Australian bush challenges gender roles. In the bushfire she is cast in a masculine role as she wears ‘an old pair of her husbands trousers’, ‘till great drops of sweaty perspiration’ run ‘down her blackened arms’ however in the arrival of ‘four excited bushmen’ we see the woman rescued by the men from the fire that ‘would have mastered her’. This idea is reinforced in the loss of the dam, when Lawson intrudes with an authorial statement, ‘there are some things that a bushwoman cannot do’ emphasising her vulnerability in the absence of her husband. Lawson builds empathy when he permits us a glimpse of emotion in the midst of loss and struggle, ‘she cried then’. Lawson uses these moments of tears to introduce the uniquely Australian habit of laughing at our misfortune as a coping mechanism, ‘she is hurt now, and tears spring to her eyes’ but ‘The handkerchief is full of holes and she..put her thumb through one’ , ‘This makes her laugh.’ The remaining  flashbacks see her conquering, a mad bullock, crows and eagles, and a ‘gallowed faced swagman’ leaving us in awe of the basewoman’s resourcefulness and success. (iii) Dialogue; The limited dialogue between the bushwoman and her children builds characteristaion. The eldest son wants to be the man for his mother, ‘Stop there, mother! I’ll have him. Stand back I’ll have the beggar.’ The colloquial and course exam ples of Tommy’s dialogue like ‘I’d like to screw their blanky necks’ also adds to the authentic Australian bush feel of the story. (iv) The resolution of the story is, appropriately and powerfully, all about the characters. Arguably the most meaningful bit of dialogue in the story is Tommy’s declaration â€Å"Mother, I won’t never go drovin’ blast me if I do!† Tommy wants to be his mother’s protector. They connect strongly as â€Å"she hugs him to her worn-out breast and kisses him†. The â€Å"worn-out breast† symbolises how the toll the bush has taken on her. The kiss is a rare act of affection showing that despite all the hardship, she still has a â€Å"womanly† side – life in the bush has not hardened her completely. THE LOADED DOG: Style and Purpose: Is a short story, which follows the normal convention of – orientation, structure and resolution. Lawson’s purpose is to entertain using a clever plot and humour. The quirky characters are ‘sketched’ briefly but the reader finds themselves engaging more with, the plot development and the humour, than the details of the setting and characters. Meaning; The meaning of The Loaded Dog is found more in the language, interaction and actions of the characters rather than in their characterisation itself. The setting may belong to a bygone era but the comedic larrikinism of this typically Australian yarn connects with the ‘tell me a good story’ expectation of the 19th century audience. The sardonic humour still rings true with the 21st century Australian today. Analysis; (i) Narrative: The 3rd person narration makes us an observer of Dave, Jim, Andy and Tommy. (ii) Characterisation: The opening sentence of the story lists the full names of the main characters hinting at their specific roles in the plot. Dave is the ‘ideas’ man, Andy the ‘hands –on’ one who puts ‘Dave’s theory into practice’. And Jim Bently the sensible one who ‘wasn’t  interested in their damned silliness’. The fourth main character is Tommy the dog, a lovable ‘overgrown pup’ that ‘seemed to take life, the world, his two-legged mates, and his own instincts as a hug joke.’ Tommy is often humanised ‘he watched Andy with great interest’. In contrast, Lawson characterises the Nasty Yellow Dog as the classic villain. Introduced late in the story, we form no attachment and when we find out he has hurt Tommy in the past, for no good reason, we can celebrate Tommy’s escape and laugh at the yellow dogs demise. (iii) Pace: Lawson makes effective use pace variations to entertain. The laborious description of the ‘formidable bomb’ leaves us certain of its capacity to harm when it was ‘wedged into his (Tommy’s) broardest silliest grin.’ Lawson immediately quickens the pace of the text through exclaimed dialogue and short sentences, ‘’Run, Andy! Run!’. He slows again to provide a humourous picture of the various running styles and speeds ‘Dave and Jim were good runners-Jim the best – for a short distance; Andy was slow and heavy’. Their panic is contrasted with Tommy’s joy, ‘the dog capered around him†¦.as though he thought, on a frolic.’ The ‘live fuse’ is personified ‘swishing†¦.hissing and spluttering and stinking’. The ‘lark’ takes several more fast paced hilarious turns before Dave enters the bar and Tommy leaves the cartridge with the ’vicious yellow mongrel cattle-dog’. ‘He sniffed at the cartrid ge twice, and was just taking a third cautious sniff when—-‘. This hanging (unfinished) sentence marks the slowing of the pace of the text to suit the aftermath of the explosion. (iv) Humour; Humour is central to the success of this short story and the understatement of fact following the explosion is a good example of Lawson’s use of typically Australian dark humour. Rather than focus on the fate of the yellow dog he simply states; ‘It was very good blasting powder—and the cartridge had been excellently well made ‘ (v) Hyperbole; Lawson follows this understatement with hyperbole (exaggeration) ‘Bushmen say that that kitchen jumped off its piles and on again.’ (vi) Australian Slang and Jargon; The Loaded Dog is faithful to the Australian bush throughout. The characterization, setting, humour and language are thoroughly Australian. It is entirely appropriate that Lawson finish a mate ribbing a mate in true Australian form with an au thentic Australian ‘lazy drawl and with just a hint of the nasal twang–†El-lo, Da-a-ve! How’s the fishin’ getting on, Da-a-ve?† ‘

Corruption Illinois Economy - 548 Words

Corruption Thesis Statement Over the last several years, the state of Illinois is dealing with crippling deficits and negative perceptions surrounding corruption. This is because only two of the states last few governors were allowed to retire from office without any kind ethical or legal issues. The combination of these factors has created a situation where many firms believe that a long term investment in the Illinois is not financially sound. To highlight how this is hurting the economy, there will be a focus on key ideas from the article that was examined. This will support the thesis statement about how the state will have trouble attracting long term investments until these issues have been rectified. Main Points The main points from the article are demonstrating how the Illinois economy is facing tremendous challenges. To highlight these issues, the author is discussing how Orascom Construction Industries wanted to establish a large fertilizer plant. On the surface it appeared, as if the company had a bias toward Illinois. This is because the owner attended the University of Chicago and had special connections with the region. At the same time, the state had introduced the most favorable bid for the firm by focusing on tax breaks, rebates and financial assistance for establishing the facility. However, executives decided to build the plant in Iowa (just miles from the Illinois border). This is because they did not believe the promises made by IllinoisShow MoreRelatedThe Rise Of Corporate Capitalism1398 Words   |  6 Pagesthey began to intervene in business affairs despite their original pledge not to. The government assisted a great deal in the rise of corporate capitalism (bu siness economy run by corporations and monopolies such as the Standard Oil Company and the U.S. Steel Company) through its laissez-faire policies, railroad involvement, and corruption. 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